From A to Be

This Side | water | That Side, 2023

Durational site-specific installation with porcelain slip at NE Sculpture Factory
*Installation length varies and corresponds to the architectural elements of the exhibition space

This Side | water | That Side is a visual translation of an idiomatic expression that speaks to the complex and often antagonistic relationship of home and diaspora populations divided by a body of water.

Using drywall stencils, the first two letters of the Farsi (Persian) alphabet are poured in porcelain slip directly onto the floors of the gallery. They follow the aesthetic rules of Nastaliq calligraphy where the ideal length of characters is prescribed by the shape and number of rectangular periods. 

The two letters A and B together create the word “Aab” water, as in a river bisecting the space into two arbitrary sides. This side and that side. Here language and water (river) become border and barrier, eroded then erased through the passage of time and transgressive crossings. Gallery visitors choose to stay on one side or the other, jump over the river, or walk through the threshold of the divisions of place, time and language, carrying the residue of river soil on their soles. 

This Side | water | That Side, 2018

Durational site-specific installation with porcelain slip at Regis Center for Art 
approx. 1′-6″ x 28′ x 0.75″

The word ‘water’ is written in porcelain slip in Farsi and thus language and water (river) become border and barrier, eroded then erased through passage of time and transgressional crossings.

Border Crossings, 2018

Durational site-specific installation with porcelain slip on Wshington Bridge (UMN West Bank/East Bank Bridge)